Save the Cat!- The Last Book on Screenwriting You'll Ever Need by Blake Snyder

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Product Details

Web ID: 16836830

Here's what started the phenomenon- the best seller, for over 15 years, that's been used by screenwriters around the world! Blake Snyder tells all in this fast, funny and candid look inside the movie business. "Save the Cat" is just one of many ironclad rules for making your ideas more marketable and your script more satisfying, including- The four elements of every winning logline The seven immutable laws of screenplay physics The 10 genres that every movie ever made can be categorized by - and why they're important to your script Why your Hero must serve your Idea Mastering the 15 Beats Creating the "Perfect Beast" by using The Board to map 40 scenes with conflict and emotional change How to get back on track with proven rules for script repair This ultimate insider's guide reveals the secrets that none dare admit, told by a showbiz veteran who's proven that you can sell your script if you can save the cat.

  • Product Features

    • Suggested age range- Adult
    • Format- Paperback
    • Product dimension- 5.9" W x 8.92" H x 0.52" D
    • Genre- Reference
    • Publisher- Wiese, Michael Productions, Publication date- 05-25-2005
    • Page count- 195
    • ISBN- 9781932907001
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4 years ago
from Indianapolis

Lots of good advice, but sometimes a bit dated

There is a lot of good writing advice in this book, and not just for screenwriters. Much of it also translates to novel writing and short story writing, though clearly there are differences. Blake Snyder knows what works, and lays it all out in an easy-to-follow formula. It is a bit dated though--and I don't just mean the references to checking movie listings in the newspapers or going to Blockbuster to rent past hits (those made me chuckle). The focus on writing something that will be a "Box Office Hit" was very relevant when written in 2005, but failed to anticipate the streaming revolution; there is still something to be said for this focus, but it's clearly not everything anymore. That leads me to my only other criticism--Blake Snyder is at times openly contemptuous of art-house films, the kind of movies that might win awards but never make any money at the box office. For one thing, these are the kinds of movies that really intrigue me, more than the "BO hits." And again, I think the streaming revolution of the past decade has changed this, making it easier for low-budget art-house films to turn a profit. This is definitely a great resource for screenwriters, and a good resource for other writers. But as with every writing advice book, take some of the advice with a grain of salt.

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